Thursday, June 14, 2012

Undergraduate Killed By Cultist(GRAPHICAL PHOTO)



A Cross River University of Technology Calabar (CRUTECH), student and the Students union Director of Socials was shot in the head at point blank range in a restaurant inside the school premises by suspected cultists.
The victim, Mr Albert Shot Died before any medical help will reach him.

"I Wish You Well Son" - Don Jazzy




Nigerian producer, President and CEO of the Mohit’s Record label, Don Jazzy has spoken out on the recent wave of attacks by artist, singer and former (if correct to say) Vice President of Mo’hits, Dapo “Kokomaster Dbanj” Oyebanjo.

In an exclusive telephone interview with Ascology News, Don Jazzy started off by saying he never wanted the issue to become this messy, even as he was aware of the way and manner social media has changed the way people view issue surrounding the lives of celebrities; a reason he said was why he’s always cautious of what he says and the interviews he grants to the media.

Both industry power-weights have been at loggerhead over alleged multiple financial disagreements, discrepancies involved in the signing of artist Dbanj into Kanye West’s Good Music record label, Don Jazzy’s lackadaisical attitude, Dbanj’s alleged public irresponsibility among other differences and conflicts that popped up between both.

“I want to be clear on something that I’m not interested in going into the debates of whatever Dbanj has said, be it through an interview, the press, social media or whatever. People should try and understand that these are very difficult moments for me and I need my space, time and moment to carry on with my life and the production of good music which is what fans have known me for a very long time”. Don Jazzy said.

The iconic producer, whose famous introvert and quiet lifestyle and personality as garnered him an enviable amount of fame, respect and magnanimous swag in Nigeria’s entertainment scene, staunchly dismissed claims by Dbanj buying houses, cars and properties for the Mo’hits boss and fellow artists, calling it “laughable and not worth responding to this early morning” claiming that quick thinking fans know his individual worth and personal financial worth of each artist at Mo’hits.

The Mo’hits boss was however very cautious and even more diplomatic in blaming, accusing or countering accusations attributed to Dbanj in various interviews, saying many of those things could not have been said by the Dbanj and he isn’t surprised when Dbanj claimed his accounts were hacked and also not further surprised when his (Dbanj) publicist released a statement denying some of the statements attributed to him; specifically during the interview with Ebony Magazine that Dbanj owns Mo’hits. Incidentally, Ebony Magazine are yet to release a public apology as earlier released by D’banj’s personal manager and the ‘I own mohits’ part of the interveiew still not excluded as of filing this report.

The Mo’hits boss further said in the unlikely event he decides to let the public knows his own side of the story, there is the tendency for his statements to be misconstrued and manipulated by mischief makers who he blamed use few accurate information to manipulate the public into believing things that never existed (a hint that the alleged email exchange is partially true or totally untrue); an ironical situation he hinted would force him to rather keep mute on the issue and let it die a natural death.

“When this whole thing started, I felt people needed to know what’s happening and in all civility, maturity and wisdom, I made those less than 140 words tweet in 3 separate lines, now see where it has led me to. Mohits is a family and Dbanj is like its son and families do quarell. Expecting me to come out and start countering accusations by one of my best friends ever while accusing him also in the process doesn’t justify my guilt or my innocence or that of his, He (Dbanj) however has a right to his opinion to grant interviews to whoever he wishes to grant interview to, I won’t stop him and won’t stop anyone who wants to believe whatever he says either”, he said.

In further attempts to get the Mo’hits boss talking, he was adamant but rightly so, reminding us of how those famous tweets confirming an apparent rift in the Mohits house got him into the messy situation as we see today.

“It is with a heavy heart that I announce the end of a long era and the beginning of a new one..Some of the rumours you have all heard recently are sad but true…The way forward now is to make sure I keep bringing you guys more of the beautiful music y’all love to dance to….And to end d old era I will b donating the proceeds of my production catalogue from day one till date to five charity organizations. Thanks. IDJA”


“Really, if I start responding to every single accusation, then the ‘lazy’ person I’ve been called would come out, and the ‘Fake’ person I am according to critics would obviously come out since I’m not a talkative and you the media know that, I want the handwork of my music productions and the proceeds of good music at Mo’hits to speak for itself, so asking me to comment on issues like this, I really am not just interested, personally my advice to fans is to concentrate on good music from Mo’hits and huhh….well even from Dbanj himself, music is what we were made to create and not controversies”, he added.

It was not immediately clear the positions of other artists at the Mohits house at the time of filing the report as label members Wande Coal, Dr Sid and D’Prince have all been short of economical with their opinions on the rift between their bosses.

As for Wande Coal who in an although diplomatic, yet paradoxically intended tweet to Dbanj said “God please don’t let the success you have given me get to my head to the extent that I will forget my humble beginnings”; the artist has however deleted the tweet shortly after – another debatable scenario which Dbanj sarcastically accused Don Jazzy of personally tweeting.

The multi-award winning music producer however said he wishes artist, Dbanj all the best in all he aspires to do even as he (Don Jazzy) begins a rebuilding, restructuring process.

EXCLUSIVE:‘How Don Jazzy betrayed me’ – D’banj(A MUST READ)




This is quite long, but in this epistle, Dbanj revealed the truth as per what is going on at Mohits records.
‘There’s an important person in that building, right?’ the cab driver asked. ‘Important musician?’

I nodded, too tired to let any curious driver drag me into a conversation.

He got the message and left me alone the entire drive from Canary Wharf to the London Marriot Hotel, in Grosvenor Square.

Then, as I got down to get my suitcase from the trunk, he gave me a knowing look, smiled, and said ‘are you the musician?’

‘Of course not’, I said to him, smiling this time. ‘The musician is in Canary Wharf, his name is D’banj’.

Silence. Confused look.

‘D’banj?’

Yes, D’banj. He’s big in Africa. You know ‘Oliver Twist?’

Silence again, then as his final ‘no’ came, I said ‘Google him.’

It was 4am on Saturday, April 21. I arrived in London eight hours earlier, and had spent almost all of that time chatting with D’banj, in his first interview with a Nigerian newspaper in a long time, and his first interview on the Mo’Hits brouhaha.

London is D’banj’s town. He’s performed there over and over, his single ‘Oliver Twist’ is on the A-list at Choice FM, and enjoys heavy rotation on other stations. A day before I came, he spent hours doing interviews at the Universal offices in Kensington. Some might hail D’banj as the man championing the gospel of ‘Afrobeats’ across the world. But, just like the cab driver, London does not yet know D’banj.

As we walk into the Choice FM building in the afternoon on Saturday, there are no heads turning or fans gazing. In fact, his lawyer, Elias, who wore a pair of loud snakeskin boots, attracted more attention than D’banj.

Who leaves a zone where they’re comfortable and celebrated; where they’re established and successful, for a place where no one seems to give the slightest care?

D’banj, that’s who.

The 31 year-old entertainer has spent nearly two years building structures he hopes will help take his music to new markets in Europe, and especially America. This move, he believes, cost him his friendship and business relationship with his long time partner Don Jazzy.

‘I’m a risk taker’, he says. ‘Life is all about risks. But you must never endanger yourself. I don’t endanger myself, which is why, even though I’m here, I’m still in Nigeria all the time, performing’.

With incredible energy, and the kind of passion that endeared everyone to him when he first moved back to Nigeria in 2005, D’banj says his deal with Kanye West is a case of ‘preparation meets opportunity’.

‘I pulled up with my entourage at the Emirates first class lounge in Dubai. We were returning from Scott Tommey’s birthday. I came down with Bankuli, my P.A. Chuchu, and my business manager Chidi. My entourage was large and I was looking fly. One of the hostesses ran to me with a Kanye West placard. I said I’m not Kanye o – then I told my guys ‘Kanye is around so no dulling.’ Chuchu and Bankuli spotted Kanye walking in to check in. They went to him and he said we could come over’.

‘As they came, I had my iPad with me, and my headphones. First thing Kanye said was ‘I like your T-shirt’. I wore a Zara T-shirt and a D&G ring. He liked my appearance and said he’d give me 5 minutes. I told him ‘I played with you in Nigeria during NB PLC Star Megajam. I’ve done a song with Snoop and we’re going to shoot the video now. I’d like to play you my songs.’ I played Oliver, Scapegoat, and Fall in love. He was dancing. He removed the headphones and said ‘I don’t mean to sound rude, but if anyone has to bring you out in the states, it has to be me, not Snoop. He asked when I was going to be in the US, and I told him I was going there that day. Then he asked who my producer was, and I said Don Jazzy. He said ‘come with him.’

Three months later, D’banj, Don Jazzy and their crew were in New York, where, according to D’banj, it took almost forever before they could establish contact with Kanye. ‘It was only an email address he gave us at the airport. So when we got to NY, we sent several emails but got no response. Not a single one.’

‘Then we met someone that knew someone that knew another someone and we got another email address. We sent several messages again, no response. Then Bankuli sent a final one saying, ‘we have been in New York for some time and sent several emails. We have waited long enough and are now on our way to do the Snoop Dogg video’

And then the reply came. ‘Sorry to have overlooked your earlier emails. Mr. Kanye would like to meet with you tomorrow.’

‘We didn’t believe it. Don Jazzy, who had been reluctant all along, still did not believe it. Even when we got there (Wyclef’s studio) the next day, he stood outside. When Kanye came I went to call him ‘Oya come now, come play am the music now’. It was difficult to believe it was real and it was happening. Then when Kanye came in, with the GOOD music acts, I was like, ‘wow’.

From there everything happened fast. Next they were meeting Jay Z, making a presentation to LA Reid (At Electric studios), and discussing contracts. But while the label offered him a traditional recording contract, D’banj opted for a joint venture agreement structured to guarantee three things: retaining full control of his materials in Africa, signing Don Jazzy on board (on behalf on Mohits USA), and, he says, bringing the Universal/Def Jam imprint to Africa.

‘I’ve always thought of how I can be a useful vessel to the industry. A friend and colleague always says to me: ‘D’banj, you’re the Jesus Christ of the industry.’ So having ran Mohits for nine years, I already had plans of how we could blow Mohits up. I had plans of expanding, and most especially, bringing hope to that 11 year-old kid somewhere in Africa who may never have had the opportunity to get signed to major labels’.

‘So it was not really just about me. There’s a big market in Africa. I said to them, ‘I’ve sold millions of records in Africa, we’ve done millions of hits with CRBT, and I’ve run the most successful label on the continent. You take care of the US, but let me take you to Africa.‘ And I’m happy to tell you that we’re doing that. D’banj’s album will be the first under Universal/Def Jam Africa, and we’re already putting all the structures in place’.

‘I’m a businessman.’ I learnt from my mom, who’s a very successful businesswoman. So having run and funded Mohits for nine years, I knew we had to move to the next level. And everything we wanted was happening. Finally we could take African music to the world.’

Just like the lyrics of the song, D’banj was an Oliver Twist. Here’s a guy who had conquered a continent; was sitting on the top three list, and making more money than anyone else in his category. D’banj was a big player in Nigeria, where there are over 150 million people; a big player in Africa, with over 850 million people. But he wanted to play big globally, with 7 billion people to grab from.

And that’s where the problem started. ‘Don Jazzy was no longer comfortable. You know, we were like fishes out of water, in this new system, starting all over again, like when we returned home in 2004. I got him a place in the US, set up a studio there, just so he’d be comfortable and be able to work without going to hang around the studios. In one year Jazzy did not make a song. I said, maybe you want to go back to Lagos, you’ll get inspiration there?’ I was all about the work, I wanted us to make this happen, so we can bridge that gap and create a path for Africa. But Jazzy wanted us to go back home. And I understand. He’s my friend, my brother’.

‘But I never expected him to do what he did.’ He said to me in July last year ‘Let’s scatter Mohits. He told me there are two captains – two captains cannot be in a ship. I was like ‘that’s not possible, this is a marriage’. He said ‘then this marriage is no longer working’. I said then let’s go for counseling; I asked, so what happens to our children?’

Don Jazzy wanted Mohits, D’banj says. And that happened on April 16, 2012 – after months of a bitter feud, characterized by accusations and counter accusations, widespread speculation, leaked emails and failed reconciliation attempts.

‘You can see he has signed already’, he said, showing the agreement with Don Jazzy’s signature. ‘I have full rights to my catalogue and full ownership of my Koko Holdings, while he has full ownership of Mo’Hits, including the artistes and liabilities.’

Already judged guilty in the court of public opinion, and publicly disowned by his own boys Wande Coal and Dr SID, D’banj says he’s sad, but not bitter. Does he feel kind of lonely, alone in the cold? ‘Asking me if I’m lonely because Wande or Jazzy has left me is like asking my first sister if she’s lonely now – she has two kids now, lives in Canada. Don Jazzy is still my brother – we just had to move on. We’ll still work together in future, same with my boys. In fact, just this week, he sent me the remix to Oliver Twist that we’re releasing in the UK on May 14. All the interviews I’ve had here, I kept hyping him. It’s already in my system – you know me, I’m a one-way soldier. Jazzy is a very quiet person. Loyalty is key. My loyalty still lies in the friendship I had with him. He was cheated by JJC, and I was present. I swore never to cheat him. But I’d like to think our visions became different.

‘It was clear when we met that Jazzy wanted to be the biggest producer, I wanted to be the biggest African entertainer, not the biggest singer. I had my mind on money. In order to say I’m the biggest, I had to be the richest. So for a very long time, he was on the back end. He respected my act, I respected his music judgment. Every meeting that brought us money I went for. I’d say I need to confirm from Don Jazzy because that was the agreement, even though I knew it was my decision. First Glo deal was $500,000. That Landcruiser jeep was because of my demands. It was because of the skill and exposure that I used to bargain. I’m a businessman’

‘People say I’m less talented, I was known as a jester in the JJC squad. I’d make everyone happy and play the mouth organ, but I knew what I wanted. I decided to give Don Jazzy power in 2007 when we realized that after four years, they did not recognize us as a record label. We had signed artistes and done all this work. So we restructured, and restrategized. So I told him to chill, so he can be more respected and be the don. I’m older than him by one year, yet I respected him like a don. I remember when he came out at Ali Baba show, I knelt down for him, so people would say he’s the baba. All the talking in my ears and all, it was an arrangement. All the Soundcity advert and all, he did not tell me anything. It was all an arrangement.’

With his UK publicist Vanessa Amadi taking notes nearby, his manager Bankulli interjecting every now and then, and several legal documents surrounding us, D’banj spoke passionately of his former partner in the same way a man might go on about a cherished and respected, but estranged, lover. He’s on his sixth cigarette, and thinks the room is stuffy, even though no one complains. So he opens the sliding glass for ventilation. ‘Jazzy did his part’, he says, sitting down again and looking me in the face. ‘He made the music for nine years. But nothing stops him from making for twenty more years. We could have changed the formula. Why didn’t he want to change the formula? It was time to expand the business, Mohits was Motown reloaded. We always knew we would expand, he always said I had more swagger than anyone else he knows, And I know he’s one of the best producers in the world; we wanted to make Mohits the biggest in Africa. Other labels were springing up. So if we could conquer America, London when no one had done it before. Most of our people stop in Germany, or Paris. But this is America, this is the big league; it makes us the strongest, the biggest. We had already made the money. And who best to introduce me to the rest of the world? Kanye did not want to change anything about my music, my style of dressing, or my brand. It is God’s favour. But Jazzy was and is very scared. Something had worked for eight years, so he wanted to maintain the status quo. People are afraid to try new things.’

‘But’, he tells me, still maintaining eye contact while lighting another cigarette, ‘I’m not afraid. I’m a vessel that God is trying to use to help the industry. I’m a bridge. Once in a few years, one artiste comes from the UK to run the world, none has come from Africa. Fela was the closest. It’s been my own dream; I made my name from Nigeria, unlike Seal, Wale, and Tinie Tempah. And I want to bring Universal, Def Jam and all to Nigeria. So if I can build that bridge, then we’re good, because it will give hope to the boys in Asaba, in Oshogbo that this thing is possible.’

The day after our Canary Wharf interview, we meet up at Highbury Islington, where he’s shooting a documentary and the promo for the Oliver Twist competition for the UK. D’banj’s new crew: Semtex (a white A&R rep from the label), Bankuli and Vanessa, are on the ground, working with the production team. ‘This is why we’re here o. This is the work’, he says as he invites me into the dressing room.

‘And when people say why am I not talking, this is why. I’m focused on making this happen. It’s more important for me to make sure I don’t disappoint all those who have invested in me; all those who believe in me and are supporting the movement, than to be fighting over who’s right or wrong. Even now that I’m talking to you, I don’t even know if I should be doing this interview.’

It’s very unexpected that D’banj – the super aggresive D’banj – is speaking in this manner. He has fought many battles, cut off many former friend-associates, ignored the Nigerian media, and reportedly humiliated several Mo’hits members, including Ikechukwu and Dr SID. Temperamental, often impatient, and vocal, those who know him will tell you the D’banj they know, is not the one that’s speaking.

So I ask:

The perception is that you’ve become arrogant, unreachable, proud. You’re not the D’banj we used to know; not the D’banj I used to know – and most people in the media will say this is true

Obviously people will say stuff – but this is me. I can’t keep up with everyone, no matter how much I try. But I understand where I’m coming from. I cant forget my roots – all the interviews I had yesterday, I was ‘bigging up’ DJ Abass, he gave me my first show in London. You saw me giving Jazzy props in my interview earlier. That’s me. If I was arrogant I wouldn’t have been the one even chasing Jazzy around since he told me last July that he wanted to scatter Mohits. Last time I saw him was on February 19 at Irving Plaza. He didn’t support the show, and he only came on stage when SID and Wande were performing. I wanted peace.

And even my mom, who had supported us from beginning, who gave us the house we stayed in (in Michael Otedola estate, Lagos), the Previa bus we used and paid for Tongolo video, spoke to his parents last December; ‘this is what your son said o’. I remember my mom saying to me, ‘if you guys have been together all these years, and no wahala, then if you need to part, I hope there’ll be no wahala.’ She was very particular about that. I had enough proof to have come out and speak; this thing has been on for a long time, and we’re in April now. But I don’t want to cause any wahala. I don’t want to spoil anything. I don’t want trouble. Right now, I just want to be able to move on and do my business.’

That’s surprising, because when the leaked emails emerged, revealing private email conversations between the estranged partners, all fingers pointed at D’banj. Don Jazzy, a likeable celeb and social media addict, didn’t have anything to prove. D’banj was the one who looked bad, and, understandably, would want to make a move that could earn him public sympathy.

‘The signing (away of my shares in Mohits) was already being discussed before April 16. If I kept quiet from January till now, what would it benefit me to leak anything? Remember all the stuff about my password and all? We know where that was from, I really wouldn’t want to think it was from him, my brother, but it could be from anywhere, but I don’t want to call anyone’s name’

But were the emails forged?

Everything in those emails were facts. And I don’t even think the mails favoured me in any way. It’s not the exact mails that were sent and signed, but there were elements of truth in the mails that were published.’

Why did you tell Ebony you own Mohits?

My mom advised me not to speak. And the interviewer took it out of context. I co-owned Mohits. We registered the business in 2004, and we owned it 50:50. So I spoke about that, but the interviewer took it wrong and the fans put pressure on them and they corrected it.

How about Sahara Reporters?

I never wanted to have any interview. It was on the eve of my US show. I was told I should do the interview, because they’re very troublesome. I had to do the interview for the sake of my show the next day. I was guaranteed that there’d be no politics questions. I had not been in the country. And I had been under pressure. Sadly, when that happened and I was being attacked in the media, none of my guys came out to support me.

Looking at all this, what are your regrets?

The truth is that if nothing went wrong, you’d have still heard all this good news and Mohits would take the glory, I didn’t come out in eight years to say anything. Everyone made their contributions. There were no issues, as long as it worked. My mistake was thinking that we were one. People don’t question their brothers and sisters.

How do you feel about Wande Coal and Dr. SID taking sides with Jazzy?

I won’t be too quick to judge Wande Coal. I hear it was Jazzy that tweeted those Wande tweets. I don’t know how true that is, but I know he had our social media accounts. As at a month ago, I couldn’t access any of my accounts. My password was changed on Twitter and Facebook. Then Universal intervened. I’m about to be verified on Twitter now. I’m not really a social media person, so it was Don Jazzy and some of our other guys that were running it. Wande himself knows the truth. He cannot talk to me like that. The whole Mohits knew who ran the label businesswise. They knew who to come to when they needed to get money out, after we recorded the album. Who knows the factory where Dansa was made? But you will know the marketing manager. The car he’s driving, I bought him a brand new Prado from Phyllis and Moss after he crashed the car he won from Hiphop World awards. I bought six Range Rovers last year. I bought D’Prince an LR 3 last year, he crashed it, then I bought him a Range, and it’s true that I bought two Bentleys. Because of Jazzy. But after July last year, after the issue with Jazzy, I bought myself the Aston Martin.

You bought that? I thought that was a gift?

I bought it.

How were you able to fund all that?

In the last nine years, there are a few people and corporate bodies that God has helped me build relationships with, either individuals or banks, or even corporates that are involved in the growth of the industry. I’ve enjoyed their support, and even now that we’re going global, we’re pooling the funds together from all these places.

Could you possibly be Nigeria’s richest pop star? A billionaire?

Vanity upon vanity. Money is material. In terms of what we’re doing, you’ll call me a Trillionaire, because this vision is too big for only me. With the help of the industry, the government, people like you Ayeni, we will not only be billionaires, but trillionaires, and not just me, but every little kid that has same talent like Beyonce, or Nicki Minaj. And with the standard of the UMG worldwide, we can pass people out from our own Universal Music Group Africa, Universal Def Jam Africa, and everyone should jump on this ship with us. It’s not the Titanic.

There’s been a lot of confusion – what label exactly are you signed on?

My album comes out under my label/GOOD Music/Island Def Jam. I’m funding the D’banj album, in America, through GOOD Music/Island Def Jam. GOOD Music is Kanye West who is co-executive producing with me. The deal comprises of Island Def Jam, in US. But in UK, it is under Mercury. My first single will be released in Europe on May 14. My work will be released in Africa through Universal/Def Jam. We don’t have these structures in Africa, and they’ve seen how much money they’ve lost. They’ve seen what I’ve done with Mohits. I made my pitch to them; I’ve made them realize how much they were losing in the African region. Over 150m Nigerians, over 800m Africans. 2% of that is 8.5m. They were not making anything except from S.A, which has been the US of Africa. So we will be launching this label in Ghana, in partnership with Vodafone, launching in Nigeria in partnership with MTN. Def Jam Africa will be up soon; Kenya, SA, and North Africa will follow.

Why are you risking all this? What if you burn your fingers and lose everything you’ve worked for?

Lose out? Well, I am happy I even have something to risk. To whom much is given, much is expected. Look at Steve Jobs, Bill Gates, Jay Z, Kanye West, these people take it to the max, take it to where they believe that they can push it to. In the first instance, coming back to Nigeria with Jazzy was because I was a risk taker. And I wouldn’t say I’m throwing everything away. I would say I’m putting everything back in, in order to rip into the future. I get a broadcast from Tonye Cole everyday. He says when you tell people this your vision, know that it’s not for you alone – it’s for everyone. It’s like what Fela did. If what I’m doing doesn’t work, but sows that seed that will germinate in three, five years, it means my name will be written in gold.

Some people have tried this before you, unsuccessfully. Do you have doubts and fears sometimes?

My last album was in July 2008 – no album in four years and I know what I still command in those four years. The momentum for me to be able to do this is because I see how much it took me, I saw the benefit, it’s God, and the favour of the relationships we’ve built. Plus, I don’t take no for an answer, I don’t take negativity. It will work in Jesus’ name. If not, I wouldn’t have landed in the UK and hear Oliver Twist on the radio. Nor would I be in the mainstream media with them saying I’m pioneering afrobeats. I said to them ‘Oh hell no, that’s Fela’s music. Fela is the legend.’ So I pray to God – I beg my fans, it‘ll be good to do half a million downloads. It’s possible, it’s a different market. Platinum in UK is 300,000. I believe with the support of my people in Reeding, Coventry, Dusting, Hackney, Thamesmead, Abbeywood, we can do it.’

And so, as I say my goodbyes and flag down the cab that’ll take me to Heathrow Airport, I can’t help thinking out loud: should one man sacrifice the wishes of the collective on the altar of ambition and material wealth? But then, what should be expected of the man whose dreams and ambition grow beyond those of other – possibly myopic- members of the collective: should an individual sacrifice his personal desires; derail his destiny, so to speak, in the interest of the collective?

In all of this, faithfulness and loyalty have been brutally murdered. And the jury is still out on who pulled the trigger.

A MUST READ FOR ALL:Took Off My Underwear



I used to be that innocent girl who had the world at her feet. I was beautiful and I had eyes and hips that could make men sway, and to top it all up, I was a Christian, a very good Christian with a heart burning for God.
When I entered the university, I met a guy, his name was Derrick. I couldn’t believe my luck the first time I bumped into him on my way to class, he had such a kind smile and a tender look that weakened my knees when he spoke.
Because I was late for class we couldn’t talk much but barely three weeks later, I met him at the fresher’s night party and I was overwhelmed. We got talking and I found out that he was in his second year and from that night, we became an inseparable pair.
At first, we were friends and as months passed by, we got closer and closer and the chemistry between us was undeniable.
About a year after I entered the university, Derrick and I started dating. He was everything a girl could ever want and desire save the fact that he wasn’t so much of a Christian. Derrick had magical hands that made him hard to resist and most times I fell for it. At first, I felt bad but when I couldn’t help falling into the same pit I killed the guilt on my inside. And then one day, one of my friends said I was getting fatter and that got me thinking and in the process I began to link the dots…first I had a vomiting spree every morning which I thought was due to a flu and then I had this morning sickness which I felt was due to stress and then my missing period…oh no it can’t be possible I said to myself, I couldn’t be pregnant!!!
After a series of test outside school, I realized the deadliest truth, I was indeed pregnant. I was only nineteen, I still had a whole life ahead of me, what was I going to do. I couldn’t tell my parents, they wouldn’t hear of it. I had to go to Derrick to tell him what I had found out.
On telling him, I saw him fly into a temper I had never seen in my life. He was so hysterical, calling me all sorts of names and I didn’t even know when I started crying heart drenching tears of hurt and betrayal. When he looked into my eyes he must have realized how scared and hurt I was and so he pulled me close and ran his hands through my hair until I had calmed down and then he said tome in the most subtle voice ever ”why don’t you have an abortion”.I pulled back instantly, I couldn’t have an abortion! But when he talked about my parents and the sanctioning of the school and the fellowship which I belonged to, I knew I had no other choice.
Derrick had made all the arrangements and so on the supposed day we went to the room- like clinic. I shivered all through my way
there but Derrick kept telling me that it would be okay and that he was proud that I made such a brave decision. When I entered into the room where the abortion was supposed to take place I laid down on the table trying to dissociate my mind from what I was about to do and then a young man told me sternly, ” you know I can’t perform this procedure with your underwear on” and then I began to pull it off. As I did this a sense of guilt overwhelmed me, first I had pulled off my underwear of pleasure and now I was pulling it off to get rid of the stigma the pleasure had brought…what a shame, I felt so exposed.
All through the times that I felt instruments coming in and out of me, I kept thinking of the lady I had become and the hypocrite I had transformed into. I let out a sigh, only if I can get through this I muttered… only if…and then I felt a sharp pain pierce through the whole of my body, I screamed but then the doctor told me to be quiet. I felt another pain but this time I bit my lip and then the pain began to come in successions. I instinctively knew that something was wrong but I was too weak to talk or to move and then I heard the voices of Derrick and the doctor talking about the fact that I was bleeding excessively. The pain was so unbearable and I could feel myself getting weaker and weaker. With the last strength in me, I pleaded with God ”Oh Lord I’m so sorry for taking my under wears off, please forgive me.” and I drifted into a world where the pain seemed less hurtful and the voices seemed more distant.
Friends, our bodies are the temple of the Lord… Do not take off your underwear when the time is not right. Lots of girls who gained admission into the university as virgins eventually lost it so cheaply to guys who have nothing to do with their
destinies. In a bid to get a certificate, they sold out a destiny that certificate cannot guarantee.

BBA STARGAME UPDATE:"Goldie Is Unstable" -Maneta








Maneta also said that Goldie is not a right person to joke with and on this issue the Queenof Pranks(Maneta) said that she can’t prank Goldie.

It is of no doubt that the Upvillers have found another way to entertain themselves and that is through these pranks . Lady May too after being pranked but found her pink shoe in the vase, she backfired and joined the group in a silent way and did the same thing they did to her!

Pranks!pranks!pranks! ,…….we are yet to see many of them showing up in the House because Maneta said it at point b lank that she will continue with her pranks even to Lady who claims that she hates them!……This means that more drama is in the corner.

Do you really believe that Goldie is Unstable as Maneta described her?

PHOTO:Beauty Pageant Contestant Couldn't Walk On Heels During Parade

People can be wicked at times, the poor girl had a problem with her heels and that provided the well needed entertainment to the audience and happiness to her colleagues.....you need to watch the

PHOTO:Chris Brown Injured After Fight With Drake Over Rihanna In a Night Club



It is reported that US music acts – pop singer Chris Brown and rapper Drake got into a fight at the popular ‘after hours’ night club WIP, allegedly over Chris’ ex-girlfriend Rihanna.

It is believed that Chris Brown and Drake have had a ‘difficult’ relationship for the past three years over Rihanna. The Bajan pop singer is said to have allegedly cheated on Chris with Drake and the former has kept a grudge ever since.

At the club, Chris Brown allegedly sent a bottle of champagne to Drake’s table as a peace offering; but Drake reportedly sent the bottle back to Brown with a note referring to Rihanna: ‘I’m f*ckng the love of your life [Rihanna], deal with it’.

Chris Brown is said to have been angered by the message and immediately went over to where Drake and his crew were sitting to confront him.

Meek Mill, another rapper who has had a fling with Rihanna was also present.

Mediatakeout reports that Drake punched Chris Brown in the face and before Chris could retaliate; someone hit Chris in the mouth with a bottle, bruising his chin badly.

Security swooped in and broke the fight, Drake and his crew left before the Police arrived and Chris, reports say, went to the hospital to be treated.

Chris Brown later took to micro-blogging site Twitter to rant on the incident and twitted a picture of his badly bruised chin. He later deleted all tweets.

Meek Mill some hours ago tweeted ‘It wasn’t me…. (shaggy voice) lol’.

PHOTO:Charly Boy posing dead in a coffin




What will Charly do next?..This is the question going on in peoples minds,Call him the oldest Nigerian celebrity that is never tired of funny and unimaginable stunts, you may not be wrong.

From an alleged kissing stunt with Denrele Edun to a reported stunt of going to one of Nigerian Idol auditions with a live python. Also was the controversial Unclad picture of Charly Boy published by Nigeriafilms.com few months ago.

Last month, it was a reported gay story by two national daily newspapers that trailed the Area Fada, as he is also called.

Now, this is a picture of the 60 year old grandfather where he posed in a coffin. The purpose of this pose is uncertain but is this another publicity stunt from Charly Boy by posing dead in a coffin?

Whose Grandma is this?